What good is sitting alone in your room? Come hear the music play!

Another smash hit has reached the stage as curtain’s went up last night on the latest production from the Cote Saint-Luc Dramatic Society: Cabaret.

“The contrast between the over the top musical numbers and the stark reality of the injustices occurring outside the cabaret captivated my attention [years ago] as it still does today,” said Cote Saint-Luc Mayor Mitchell Brownstein. “We need to be leaders and speak out in defence of human rights. Cabaret has given us all that opportunity.”

Once again, it’s hard to believe that this is local, community theatre as the entire production, from costumes, set and design, to choreography, acting and live music exceed expectations by leaps and bounds.

Cabaret is not for the light-hearted. The theme is raw with drama and emotion in pre-war Germany. The burlesque-style night club acts are raunchy and lewd. The actors play with your spirits from eccentric to despair, from hopeful to hopeless.

“…There was a city called Berlin in a country called Germany and it was the end of the world…”, wrote lead actor Calder Levine who played the role of of wide-eyed American Cliff Bradshaw. His command performance in portraying his love for the English Berlin nightclub doll, Sally Bowles, played by the extraordinary Jeanne Motulsky, was musical and magical.

Jeanne Motulsky

Speaking of music and magic, the ever so talented Motulsky returns for her sixth show with the CSLDS. The Communications grad from Concordia University is headed towards production in film and television. As I wrote following her stellar performance in last year’s production of Joseph and the Amazing Technicolor Dreamcoat, “her future looks bright.” Motulsky captured the audience with her incredible voice and stage presence, particularly performing “Don’t Tell Mama” and “Cabaret”. Sensational.

The entire show is tied together by the unbelievably talented Craig Dalley who plays The Emcee. Returning for his fourth show with CSLDS, Dalley captivates your attention from the upbeat beginning, singing the well-known, “Willkommen, bienvenue, welcome” opening theme to Cabaret, right to the very end, deep in the darkest places humanity has gone, some 80-plus years ago.

Dalley’s talent, not to mention his sexually provocative leather clothing, profane language and naughty gestures will have you laughing, and then crying. What a job he did with Money Makes the World Go Round! He can sing. He can dance. And he can control the audience and the stage. Fantastic.

Linda Babins (Fraulein Schneider) and John Kovac (Herr Schultz) play an adoring, mature, tentative couple. Babins is a longtime member of the CSLDS team while Kovac returns to theatre after a 40 year hiatus. The two hit it off in song and dance with an air of confidence – she as a stodgy, serious German woman and he as a whimsical, fun-loving older gentleman – a German Jew. You’d never know he stepped off the stage for four decades but thankfully he’s back!

While it was hard to cozy up with Edward Le Vasseur who played the role of red armband toting Nazi, Ernst Ludwig, I’ll admit that he was faithful to his increasingly angry character and the more I despised him the more I realized what a strong actor he was.

Finally, Maria Jimenez deserves praise for her beautiful voice as her back lit profile steamed out from an old fashioned gramophone. Dreamy staging indeed. In the role of Fraulein Kost, a bit of a loose lady (as if any of them was anything less) she was very funny as her many sailor boys sauntered out of her room.

Artistic Director Anisa Cameron with CSL Mayor and CSLDS Founder Mitchell Brownstein

There are so many more praiseworthy cast members who entertained the gala night audience with impressive choreography and delightful musical numbers.

The five-piece live band adds to the experience and really gives the feeling of actually being in a live cabaret. They were great.

A show like this, especially community theatre, doesn’t just come together with a heck of a lot of hard work and incredible talent by the creative and production teams under the direction of the absolutely incredible, dedicated and tremendously talented Anisa Cameron.

(Mini shout-out to backstage crew members Nicole Nashen and Naomi Salama).

“As a theatre director, I felt compelled to produce this show. It seems Cabaret has only become more and more relevant to what is tragically happening in our own province and country, in North America and around the globe. Cabaret stands as a seductive, staggering and stark lesson in the dangers of complacency, denial and willful ignorance in the face of unbridled nationalism and the rise of a fascist tide. Never again is now, said Cameron.

CSLDS partnered with the Montreal Holocaust Museum in providing educational panels to understand the historical context in which Cabaret takes place.

Israeli Consul General David Levy was also instrumental in providing informational panels about diplomats from several countries who went against their orders and laws in doing the “right thing”, in rescuing thousands of Jews from the grips of the Holocaust.

CSLDS’s Cabaret is sure to be another sold-out smash success, worthy of an eventual Montreal English Theatre Award for its production value, quality musical arrangements and its thought-provoking message of using the past to influence the future.

So what good is sitting alone in your room? Come to the Cabaret!!

Cabaret runs through June 16 at the Harold Greenspon Auditorium in Cote Saint-Luc City Hall on Cavendish Boulevard. Tickets and information at CSLDramaticSociety.com.